Freshjive

Zippo: The Truth

2006-07-29T02:02:00.000-07:00

ZIPPO MYTHS (Bottom Stamp)

Myth 1-
The codes on the bottom indicate the quality of the lighter. Some individuals believe that an "A" lighter is better than an "H" lighter. For date codes including Roman numerals, the higher the Roman numeral, the higher the quality.
Fact -
The codes on the bottom stamp are date codes indicating when the lighter was manufactured.

Myth 2-
Lighters are manufactured by prisoners. The Roman Numerals at the bottom of the lighter indicate the length of prison sentence.
Myth 3-
Lighters are manufactured by prisoners. The letters on the bottom stamp indicate their crime "R" for Rape, "M" for murder, etc.
Fact -
Lighters are manufactured in Bradford, PA by employees who are paid for their service to the company.

DATE CODES

Regular Lighter Identification Codes
In 1979 an error was made in the date code. One of the slash marks was removed from the left of the Zippo trademark instead of being removed from the right; thus the code read: / //. This date code error was corrected within the same year to read: // /
Effective July 1, 1986 the dot and slash system was replaced by year / month code. Year is noted with Roman numeral; letter designates month (A=January, B=February, etc.)
Beginning in 2001, the Roman numerals indicating the year were replaced with numbers corresponding to the last digits of the year of manufacture.

Mine: J - XIV (means manufactured in October 1998)

God Of War 2 : Divine Retribution

2006-03-30T03:04:00.000-08:00

Kratos returns to the PS2 on the first quarter of 2007. Great news for Kratos fans indeed. Sony has confirmed the release of this sequal at the GDC 2006(Game Developers Conference). God Of War was the best game i have ever played in my life, i just hope that the second one is just as good. Can't wait for this release to come out.... OMFG, i have to wait 10 months... well, enjoy some of the screenies and video footage.

EDITED : (8th June 2006) all screenshots and official trailer can be seen here
God Of War Official Site

Perodua Kelisa got smashed in Top Gear

2006-02-07T00:37:00.000-08:00

This clip is part of a UK-based auto show called "Top Gear" hosted by an ugly looking old man that look like a vitamin D deficiency, Jeremy Clarkson. In this video he review a Perodua Kelisa he just bought and you know the rest. I feel pity for the poor Kelisa. Enjoy the clip.

p/s: Top Gear is "Pak Lah's" (Lan's roommate back in 2004 V3) favorite auto show along with some other various movie trailers. hahahahahah

DOWNLOAD (Kelisa got ketuked) size: 15.1MB
DOWNLOAD (Proton Savvy got kUtuked) size: 1.68MB

Zippo Trick

2006-02-06T02:16:00.000-08:00

Ode to Flamers: Trip around the Dragon

p/s: Remember my original hilarious zippo trick called "The Egg Cracker"?... ahahhahaha (the name just popped out of my head actually). Well, this is not it. I'll post my own trick some other time. Check out the clip below... enjoy dol !!!!

Hold the lighter in the standard Trip Flick/Palm Squeeze grip (lighter sideways, hinge facing up, resting on your curled ring finger, bottom of the base pressed against the webbing between your thumb and index finger, with your thumb and index finger gripping the cap either side).
I find that having the placement of the thumb and index close to the hinge helps both getting the lighter open and the spin later on. So, gripping with your thumb and index push/squeeze the lighter into your webbing (with a slight upwards direction) and watch it flip open. If you are still gripping the cap tight it is most likely horizontal with your thumb and index.
Now let up on that grip, but not too much, and let gravity force the lighter to rotate 90. Try to do this Flip and release the pressure move almost simultaneously, but be careful not to loose the lighter.
Still loosely holding the cap with your thumb and index reach over with your ring finger and place it on the striking wheel. You may find that your little finger automatically comes around to rest under the lighter.
Now, apply pressure on the striking wheel with your ring finger and force the lighter base to rotate up through the hole created by the thumb and index finger grip (you may need the bottom of the lighter to slightly press against your palm to light).
After it’s lit, using your thumb and index finger slightly, bring the cap towards the base (almost as if closing the lighter) and place your ring finger on the cap corner opposite the hinge. You have 2 options from here: 1. immediately apply pressure with your ring finger and force the lighter completely through the hole to give an “Around the World”-effect. If all the moves are done fluidly the effect should be a non-stopping 360 spin ending with a lit lighter. 2. Wait a while. The flame is lit but hidden from view (as was the striking move). Suddenly force the lighter through the hole, as above, to give a “Hidden Dragon” effect.

Dinosaur Jr (Band Bio & Discography)

2006-01-22T08:25:00.000-08:00

Dinosaur Jr Official Site

"Dinosaur Jr. was largely responsible for returning lead guitar to indie-rock and, along with their peers the Pixies, they injected late-'80s alternative rock with monumental levels of pure guitar noise. As the group's career progressed, it turned into a vehicle for J. Mascis' songwriting and playing, which had the ultimate result of turning Dinosaur's albums into largely similar affairs. Over time, Mascis shed his hardcore punk roots and revealed himself to be a disciple of Neil Young, crafting simple songs that were delivered at a crushing volume and spiked with shards of feedback. Consequently, Dinosaur Jr.'s '90s albums -- when the group was essentially a front for Mascis -- don't sound particularly revolutionary, even with their subtle sonic innovations, yet their original '80s records for SST were a different matter. On their early records, Dinosaur lurched forward, taking weird detours into free-form noise and melodic soloing before the songs are brought back into relief by Mascis' laconic whine. Dinosaur's SST Records laid the foundation for alternative rock's commercial breakthrough in the early '90s, and while the band's profile was raised substantially in the wake of Nirvana's success, they never really became much bigger than highly respected cult figures.

J. Mascis (b. Joseph D. Mascis; guitar, vocal) formed Dinosaur Jr. in Amherst, Massachusetts, after his hardcore punk band Deep Wound broke up in 1983. Hooking up with fellow high school student Lou Barlow (bass), Mascis initially played drums in Dinosaur, but shortly afterward, former All White Jury drummer Murph (b. Emmett "Patrick" Murphy), joined the group, and J. moved to guitar. Over the next year, the group developed a local following, and in 1985, the trio released their debut album, Dinosaur , on the Homestead label. The record and the group's crushingly loud concerts developed a cult following over the next year. By the end of 1986, a hippie-rock group called Dinosaur -- featuring former members of Jefferson Airplane and Country Joe & the Fish -- sued the band, which changed its name to Dinosaur Jr.

In 1987, Dinosaur Jr. signed to Black Flag's indie label SST and released You're Living All Over Me , which became an underground sensation, with groups like Sonic Youth championing Mascis' wild, feedback-drenched guitar. Early in 1988, they released the seminal single "Freak Scene," a song that captured the feeling and tone of the emerging American post-punk underground. "Freak Scene" became a college radio hit, and it led the way for their acclaimed 1988 album, Bug . Although the band's popularity continued to grow, tensions were developing between Mascis and Barlow, who rarely talked to each other. In 1989, Mascis told Barlow that the group was breaking up; the following day, he "re-formed" Dinosaur Jr., this time without Barlow, who went on to form Sebadoh.

Without Barlow, Dinosaur Jr. relied on a rotating array of guest bassists, including Don Fleming and the Screaming Trees' Van Connor. In 1989, the group had an underground hit with their non-LP cover of the Cure's "Just Like Heaven." The following year, they signed with Sire Records. After "Just Like Heaven," Mascis remained quiet for several years, as he produced acts like Buffalo Tom and collaborated with friends like Sonic Youth and Fleming's Velvet Monkeys. Green Mind , Dinosaur's 1991 major-label debut, was recorded almost entirely alone by Mascis, and its varied, eclectic sound was received poorly in many alternative rock circles. Before the Green Mind tour, former Snakepit member Mike Johnson became the group's full-time bassist. On the subsequent tour, Dinosaur Jr. was supported by Nirvana, whose success with Nevermind soon overshadowed Dinosaur's. Instead of capitalizing on the commercial breakthrough of alternative rock, Dinosaur released an EP, Whatever's Cool With Me , in early 1992 and disappeared to record their next album.

Released early in 1993, Where You Been benefited greatly from the commercial breakthrough of alternative rock, and many of the articles surrounding the album's release hailed Mascis as an alternative godfather. It became the first Dinosaur album to chart, peaking at number 50, and it generated the modern rock hit "Start Choppin'."

That summer, the group played on the third Lollapalooza tour. Mascis recorded the band's next album without Murph, who unceremoniously left the band; he later joined the Lemonheads. Dinosaur Jr. released Without a Sound in 1994 to mixed reviews, but the album was a moderate hit, thanks to the MTV and modern rock hit "Feel the Pain." In the fall of 1995, Mascis launched his first solo acoustic tour, which was captured on his first official solo album, Martin & Me, released in the spring of 1996. After contributing several Brian Wilson-styled songs to Alison Anders' 1996 film Grace of My Heart -- he also made an appearance in the movie -- Mascis completed Dinosaur's next album on his own, leaving Johnson to his solo career. Upon its spring 1997 release, Hand It Over was hailed as Mascis' best album in years, although it failed to generate a significant hit."

Stephen Thomas Erlewine, All-Music Guide

Discography

Year	Title	Label
1985	Dinosaur	Homestead (reissued 2005 on Merge Records)
1987	You're Living All Over Me	SST (reissued 2005 on Merge Records)
1988	Bug	SST (reissued 2005 on Merge Records)
1991	Green Mind	Blanco y Negro / Sire
1993	Where You Been	Blanco y Negro / Sire
1994	Without a Sound	Blanco y Negro / Sire
1997	Hand It Over	Blanco y Negro / Sire

Click here to hear 'Dinosaur Jr - I dont think so'

Resident Evil 4

2006-01-21T02:58:00.000-08:00

RE4 Official Site

Publisher : Capcom

Genre : Action, Adventure

Verdict : 9 out of 10
*scroll down for trailer

In Resident Evil 4, players are reacquainted with Leon S. Kennedy, Raccoon City Police Department's idealistic rookie cop from Resident Evil 2. It has been 6 years since the destruction of Raccoon City and in that time, the US government has been able to destroy the evil Umbrella Corporation. Six years later and Kennedy has been tasked to look into the abduction of the President's daughter and his investigation has led him to a mysterious location in Spain.

Cue being left in the countryside with no support and ten bullets in your gun. The action is non-stop from there on.

As for Gameplay, it is fairly intense if not a little frustrating at times. While the camera angle has been changed to a third person perspective the evil villagers who would all be comfortable in the Texas Chainsaw massacre film have a tenacity to appear our of nowhere and strike you with a big pitch fork. It's something that is a little annoying, but luckily the game doesn’t fall into the usual problems where the camera only acts as a hindrance rather than a benefit.

This combined with hordes of villagers means that you’ll have to be on your toes to avoid getting killed. Gunning them down isn’t as easy as you might expect even if your handgun is fitted with laser sights and depending on where you hit them will depend on how fast they go down.

Run out of ammo (which is very easy as each villager takes at least three bullets to take down) and you’re left with a knife and your swinging action. The problem here, is that moving is rather clunky with no strafe available. In addition to this, you can’t move and swing your knife at the same time and it’s a case of hope and pray as you fight that pitch fork guy, the end result normally that you take a couple in the face.

Those looking for a challenge will be pleased to know that there is one here. The monsters and bad guys throughout the game are fairly intelligent when it comes to making sure you end up dead – at one point trying to catch our breath we hid up a tower only to be inundated with flaming bottles from the villagers below.

VERDICT

While fans of the series will love the graphics, the game play, storyline and the more focused approach to action rather than puzzles, for the rest of us the game may come across frustrating compared to your usual hack and slash horror game.

This is like a George A Romero horror film – good but will take a time to get going and past the initial frustrations.

Stick with it though for the payoff is worth it in the end, if you survive that long...

P2P filesharing : The facts and the myths

2006-01-17T06:23:00.001-08:00

Imagine going to work and touching a pole, allowing you to receive all the files that you need to work on for the day. Or imagine going to your friend's house, and transfering all their songs to your iPod. There are a lot of areas where this technology can be used, it should be exciting.

FACTS AND THE MYTHS OF FILESHARING

Myth: Filesharing is illegal
Facts: No it isn’t illegal in as much that it does not constitute a criminal act

* If you are caught and if the matter is pursued, it is a civil matter between you and the recording industry and you could be sued.
* You cannot be arrested, searched, fined or imprisoned for filesharing. The recording industries do not have state support, they cannot simply search property at will or seize your possessions, they are private companies with no more rights than private individuals.

Myth: 16,000 people have been sued for filesharing
Facts: No they haven’t. The actual figure is around a handful

* The number of people who have actually been sued for filesharing by the recording industry amounts to little more than a handful
* None of these cases have actually been defended on the basis of filesharing, but on the basis of fair use, dismissal because it was someone else, etc.
* A letter demanding settlement does not amount to a lawsuit, or being “sued “

Myth: The recording industry always wins
Facts: No they don’t

* Over 75% of the people receiving demands for settlement in the 2 years ended September 2005 neither settled nor were taken to court
* No cases contested on the basis of filesharing have yet been heard by a judge

Myth: The risks of being caught filesharing are very high
Facts: They are not

* The risks of receiving a demand for settlement are 1 in around 4,000
* The risk of receiving a demand for settlement and then actually having to do so are around 1 in 17,000
* The risks of being taken to court for filesharing are around 1 in 12M
* Nobody has ever received a demand for settlement or been sued for downloading only. The risk of being the first to face such an action are in therefore the order of 1 in 60M
* More than 95% of those caught filesharing have been caught using Fastrack clients such as Kazaa

Prince Of Persia 3 : The Two Thrones

2006-01-09T22:56:00.000-08:00

PoP3 Official Site

Publisher : Ubisoft
Genre : Action, Platform
Verdict : 9 out of 10
*scroll down for trailer

Even though you're dumped straight off a boat and into a burning Babylon that's been ripped apart by the consequences of your time travelling, this year's Prince of Persia remains true to every element we've loved and hated about the reborn series - and adds lots more besides.

The first level is one of those godawful training bits where if you fail one single
jump you fall right back down to the start again, which, just like the boat-based intro
to Prince of Persia: Warrior Within, is likely to instantly put you off the game if you're
not already familiar with its wall-running, long-jumping style of play. But stick with it - it gets much better.

With that slight criticism out of the way, like a genie out of its bottle you're plunged straight into the stunning high-rise world of Babylon, leaping across rooftops like that bloke out of the BBC adverts, before heading down into the dingy sub-levels for some amazing underground exploration. And it really is all about the exploring and the jumping. Each new room, every corner you turn and all the new locations you enter require a lot of thinking. This is no run-and-go action game, it's like one gigantic three-dimensional Rubik's Cube laid out before you on your tv screen.

GYMNASTIC MENTALIST
All of the locations in The Two Thrones are huge, fiendish and complicated environments that require plenty of puzzle solving to get through. But wait, it's not as boring or as difficult as it sounds. The Prince is on your side. Balance on a beam or dangle from a high ledge and he always instinctively knows what to do. If there's a jump you need to make, just press X and he'll make it. If there's a ledge to be grabbed, he'll do it. First time, and in style. There's no fiddly, annoying, pixel-perfect control needed here.

Gaps that seem impossible to bridge can be leaped across in one massive, superhuman jump, with our hero manfully locking onto whatever you're vaguely pointing him at. In all our many hours of play we've never once died from a control issue. Instead, death comes from the player's own confusion, whether it's enemies forcing you to rush, or your own failure to judge the timing of a trap or an opponent's movement.

OK, here come the spoilers, don't read this paragraph if you're a serious Prince of Persia fan. The Two Thrones goes a bit Desperate Housewives in its story telling, with the plot narrated by the unfortunately dead Babylonian babe Kaileena. This ends up somehow making the Prince possessed by the Sands of Time - which turns him evil, more powerful and gives him new combat skills.

The regular Prince also has new skills to help him fight too, and rather than being pointless additions they really do enhance the PoP experience. It's now possible to jump diagonally off certain angled pieces of wall, he can slide down between gaps and is much more acrobatic and capable of leaping, swooping attacks on enemies.

But the biggest new feature is the Speed Kill - a kind of simple stealth feature that bucks the stealth game trend by actually being fun to use. Now you have to pay attention to which way enemies are facing and walking, but don't panic - this is no Metal Gear Solid sneakathon. The guards patrol in lines or loops, and you sneak up behind them, pressing triangle to initiate a Speed Kill then reacting to what happens on screen and slashing your sword when it shimmers. Simple.

Babylon's high buildings and alleyways are perfect for this sneaky play, and the beauty of Prince of Persia's new stealth emphasis is there's no punishment if you fail. Mess up a Speed Kill and you're stuck with fighting the guys normally. It's not Game Over, just Game Slightly Extended by having a laborious fight instead of a swift stealth kill.

A WILD STAB IN THE DARK
But even the fighting bits are fun. The Prince has sword slashes, jumps and throws at his disposal, which lead to some lovely fighting moments. You can stab away, blocking occasionally, or try something advanced and posh like a couple of stabs, a jump over the top of your enemy and then a throw to dump him off a ledge to his death - it's a very fluid system of combat. It's really up to you how you dispose of the Bad People.

Oh, and there's that Dark Prince as well. Because of that weird plot thing to do with time travel which we don't really understand, everything's gone a bit wrong and the Prince sometimes becomes possessed by the Sands of Time. This makes you the Dark Prince, who's a bit tasty at fighting but is hindered by a constantly draining life bar, thanks to the possessions that suck his life force away.

So you have to fight quickly, finishing off enemies at double speed to absorb their life essence and keep yourself going. The first time this happens you're likely to be confused as hell, bound to get stuck and will almost certainly die. But the Dark Prince, with his new whip-like chain weapon is one heck of a fighter. That chain can also be used Indiana Jones-style to leap gaps - which makes these quicker, dirtier sections faster and much more fun.

Soulfly - The Dark Ages (Album Review)

2006-01-03T07:31:00.000-08:00

Label: Roadrunner Records
Release Date: 3rd October 2005
Genre: Metal
*scroll for video below (Soulfly - Frontlines)

Track Listing:
1. Dark Ages
2. Babylon
3. I and I
4. Carved Inside
5. Arise Again
6. Molotov
7. Frontlines
8. Inner Spirit
9. Corrosion Creeps
10. Riotstarter
11. Bleak
12. (The) March
13. Fuel the Hate
14. Staystrong
15. Soulfly V

As of 2005 the current lineup of Soulfly is:

Max Cavalera (guitar and vocals)
Bobby Burns (bass)
Joe Nunez (drums - also on Primitive)
Marc Rizzo (guitar)

The last time I bought a Soulfly album, last year's Prophecy, I praised it as a strong album but was none too thrilled with Max Cavalera’s employment of the band’s trademark multi-instrumentation, oftentimes hopelessly misplaced and taking more away from the songs than it was adding. Now, he and his crew bring us Dark Ages, almost completely abandoning that trademark in favor of delivering their heaviest and possibly best album to date. In fact, we might want to refer to them this time around as “Soulpultura”.

After a brief intro, “Babylon” kicks in, and while it doesn’t sound a whole lot different from their previous heavier material, you can almost sense there is something brewing under the surface. It doesn’t hurt that the production is dirtier than normal, giving this track, and the rest of the album, a harder edge. About 45 seconds into “Carved Inside”, we hear the first shades of old school Sepultura, sounding almost like an outtake from the Arise album. It is no coincidence, then, that the next track, “Arise Again”, follows suit after about a minute of the standard Soulfly grooves. It wouldn’t be a Soulfly album without some special guests, and we get none other than Billy Milano dropping some vocals on the predominantly Spanish language track “Molotov”. In an interesting side note, conflicting schedules resulted in his parts being recorded via cell phone. Ah, technology.

This all gets taken to another level with “Frontlines”, which storms out of the gate with a riff taken right out of Beneath the Remains – and you thought Max didn’t have it in him anymore! The track comes complete with a quiet acoustic outro played over various battlefield noises. “Innerspirit” is classic Soulfly with the otherworldly voice of Kojot (Eyesburn), who also appeared on the track “Moses” from Prophecy, singing the chorus. This is one of the moments where the multi-instrumentation occurs, with acoustic guitars and bongos adding to the trippy vibe of this one. “Corrosion Creeps” has a bit of nu-metal feel to it, but that is sandwiched in between more of the fast, thrashy riffing that quickly becomes this album’s trademark. On the other hand, “Riotstarter” is more tribal techno than metal. It's interesting but a bit strange and out of place here. Thankfully, “Fuel the Hate” comes along and wipes any bad memories away with another ferocious thrash attack.

All the world music factors the band has been holding back on this whole time are finally unleashed on the latest installment of the “Soulfly” saga, aptly titled “Soulfly V”. A lengthy 11 minute journey of new age acoustic guitars that is ideal for communing with nature, or at least smoking a big fat bowl of it.

If you had given up on Soulfly long ago, or never even given them a chance, now is the time to correct that. Dark Ages combines the best parts of Sepultura with the best parts of Soulfly into an album that I just can’t seem to get enough of. Score another victory for Max with an album that is better than anything his former bandmates have released since his departure.

God Of War (2005)

2005-12-24T04:22:00.000-08:00

The Best PS2 Game ever created in 2005 ...

Start Playing : 12 Dec 2005
Finish : 17 Dec 2005

GOD OF WAR for the Playstation 2 by Sony brings ancient Greek mythology to life, putting players in the role of Kratos, a deeply troubled Spartan warrior who must battle Hydra, Cyclopses, and even Ares, the God of war himself, to save Athens from destruction. Fortunately, Kratos has several weapons at his disposal. His main weapons are called the blades of chaos, blades actually connected to Kratos’s skin by chains. As the game progresses, Kratos will be able to upgrade his weapons and buy new combo attacks by collecting red orbs, plus some of the Gods of Olympus will bestow upon him new powers and weapons to assist him against Ares. While the game plays mostly like other action adventures, combat offers a unique variation to the standard button mashing. Some enemies can be defeated by a series of special attacks initiated by correctly memorizing and entering a series of button and control pad commands. These commands will make Kratos launch a series of special, context-sensitive attacks to defeat his enemies. GOD OF WAR is no slouch in the extras area, either. Once the game is defeated, a series of behind the scenes videos become available, as does a mini-game and the challenging God Mode. Beating the game on God Mode unlocks even more extras. Mature action adventure fans should check out GOD OF WAR for a graphically stunning adventure in ancient Greece. Mythology buffs, too, will enjoy interacting with some of their favorite characters from Greek mythology.

Official Site

Ska... what is it?

2005-12-24T01:41:00.000-08:00

Ska is a form of Jamaican music which began in the late 1950s. Combining elements of traditional mento and calypso with an American jazz and rhythm and blues sound, it was a precursor in Jamaica to rocksteady and later reggae. It is the predominant form of music listened to by the Rudeboy, Mod, and Skinhead movements, amongst others, with artists such as Symarip, Laurel Aitken, The Charmers and The Pioneers aiming songs at these groups as far back as the 1960s.

Musical historians typically divide the history of ska into three waves. Ska's popularity has waxed and waned since its original inception, and has had revivals of note in England in the 1980s and another wave of popularity in the 1990s.

FIRST WAVE SKA BANDS (1960's)

SECOND WAVE SKA BANDS (1970's)

THIRD WAVE SKA BANDS (CURRENT)

311
Analogia Snu
8°6 Crew
100 Mens
The Allstonians
Area-7
Arpioni
Assorted Jellybeans
ASOB
Aspo
The Aquabats had roots in third wave ska, but most fans agree that they can no longer be classified as a third wave ska band, but still have some Ska infuences in their new music. They are often classified as psycho ska.
Babylon Circus
Banda Bassotti
Betagarri
Bim Skala Bim
Big D and the Kids Table
Big Jesse
Bomb the Music Industry
Bongo Bliss
Buck-O-Nine
Cata Gora Bornikow
Catch 22
Chris Murray
Choking Victim
Corness
Dance Hall Crashers
Désorden Publico
Dr.Octopus
Evil Empire
Five Iron Frenzy
Goldfinger
Hepcat
The Insyderz
The Johnstones
King Django
Know Talent
Kortatu
Let's Go Bowling
Leftöver Crack has strong roots in third wave ska as well, but is considered by most a "Ska-core" band because of its strong hardcore punk influences.
Less Than Jake
Link 80
Los Hooligans
Matamoska
Mephiskapheles
The Mighty Mighty Bosstones
MU330
Mustard Plug
No Doubt
Obrint Pas
Operation Ivy
The O.C. Supertones
The Pietasters
The Pinstripes
The Planet Smashers
The Porkers
Punch The Clown
Rancid
The Readymen
Reel Big Fish
Rx Bandits
Sagegs ris
Save Ferris
The Scofflaws
Skalariak
Skarnio
The Skamaphrodites
Skampararas
SKA-P
Skavoovie and the Epitones
Skeletones
The Slackers
Streetlight Manifesto
Stubborn All-Stars
Sublime
Suburban Legends
Sweater Club
The Toasters
Tokyo Ska Paradise Orchestra
Viernes 13
Voodoo Glow Skulls
Sublime